Review and Analysis of the 88th Academy Awards

Oscar 2016

Review and Analysis on the 88th Academy Awards

This year’s Oscars were very boring as a ceremony, but as for the categories and awards, I must say that I was pleasantly surprised as a lot were very unpredictable with some of the choices being quite different then what was expected. But because most of my favorite movies weren’t even nominated, I wasn’t thrilled to watch the ceremony and I was so pleasantly surprised that many choices were different and done for the better. That was not only great for the more deserving movies to win, but also because the Academy is getting quite unpredictable and bold these last couple of years which I strongly appreciate.


Oscar 2016


The 88th Academy Awards ceremony was incredibly disappointing and after last year’s forgettable ceremony, this one was even worse in my opinion. Chris Rock was such a mediocre host as all he did was joke about the controversy surrounding the lack of diversity at the Oscars. To me, that would have been fine and should have been touched upon, but once again it shouldn’t be the entire focus of the show. His jokes were so uninspired and so repetitive while also being for the most part boring and unfunny.

As for some types of homage or film tributes, this was the worst year for the Academy as far as I can remember because they did not bother at all. Not any film or theme or anything film related was emphasized or brought upon this year and that was truly disappointing. As for the awards, the use of Woody and Buzz was interesting albeit not funny and some of the categories were very well realized with the sound editing and mixing showcasing the strengths of the nominees in the best way possible. As for the speeches, a couple of them were interesting, but for the most part they were either too brief or boring and too many presenters made stupid jokes that did not work at all. The whole show was paced poorly as it started in a rushed manner and ended like that as well with the middle parts being prolonged and dull. It is the most tedious and most forgettable ceremony in years.




This was one of the worst years for film and most especially for this category as most of the truly great movies of the year such as Carol, Inside Out or Ex Machina weren’t even nominated. My favorite is of course Room as it is not only the best and the only truly worthy movie of the nominees, but the year’s finest film as well. Other nominee were mostly either solid or mediocre and the winner was Spotlight which took me by surprise. But I loved that choice and was so relieved as The Revenant would have been such a bad choice and one of the worst ever for the Academy. But they thankfully went with Spotlight which is far from a great movie and is a typical Best Picture material, but at least is a good and well made film. But it is still the most unexpected and weird choice of the night as it only got one other award which is rare.



Spotlight won in this category which is just ridiculous to think about. Ex Machina had such a complex and strong original story whereas Inside Out is the most original and unique film of the year. But they went with a safe choice and made a terrible mistake in the process.


Alejandro Inarritu

Alejandro Inarritu won the award and is the third director in history to receive an Oscar for two years in a row. That is just a travesty as The Revenant is such an awful movie and most importantly, such a badly directed and pointless movie with no sense or clear goal whatsoever. This was the worst choice of the night by far. To me any other nominee would be more deserving with Lenny Abrahamson of course being the best choice.


Leonardo DiCaprio



Leonardo DiCaprio finally won his Oscar, but for the wrong movie. His turn as Hugh Glass is so overrated and evidently so-so that I honestly think this is one of the weakest wins in this category for years. Because Jacob Tremblay wasn’t even nominated, Michael Fassbender should have won as he gave the best performance of the nominees.


Brie Larson



Brie Larson won for Best Actress and this is the only Oscar for Room which is just horrible to think about. But she deserved this award without any doubt as she gave a powerhouse performance in such a demanding role. Nobody here comes even close to her of the either nominees and thankfully the Academy got it right.


Mark Rylance



This is probably the biggest upset of the evening because Sylvester Stallone who was the expected winner lost to Mark Rylance. This entire category this year is an incredibly weak one, but this was still such an odd choice as Mark Ruffalo would have been a much better choice. Mark Rylance was so forgettable in Bridge of Spies and he didn’t do anything truly impressive there which is why this is one of the weirdest and most disappointing choices.


Alicia Vikander



This is one messed up category as both Alicia Vikander and Rooney Mara were leads in their movie, but ended up in this category instead. However, that only made this category stronger and is to me the strongest category this year along with the animated categories as Jennifer Jason Leigh, Kate Winslet and of course Rooney Mara would have all been perfectly fine choices, but it ended up being Alicia Vikander which was expected, but satisfying to me as she gave such a fantastic performance and overall had an amazing year.


Ex Machina



And this award went to Ex Machina which was just awesome! I was so thrilled to see this happen as Ex Machina is such a great movie that benefits from some excellent special effects sparingly used. I was impressed with the Academy’s recognition of this movie here instead of the more flashier Mad Max or Star Wars. This was much deserved and such a wonderful choice.


Room (2015)



This should have gone to Room obviously and Carol would have also been a fine choice, but of course they went with The Big Short which was incredibly disappointing and clichéd.


Inside Out



This was the most impressive category this year as most of the nominees are not only great movies, but are very diverse in language and style. When Marnie Was There was probably my favorite film here, but Inside Out of course won which was a clichéd, but still satisfying choice as it is one of the best and most authentic films of the year. I just wish that sometimes their choices for the win were as interesting as their nominations slate is.


Son of Saul



This wasn’t the greatest year for foreign movies as well, but Son of Saul is a perfectly fine choice as the movie is not great, but is definitely quite good and is frankly the best winning movie in this category for years.





I feared that Cartel Land would win, but thankfully Amy took the trophy here which was so satisfying as it is such a good and emotional movie that is at least interesting to watch and is not a political film for a change.


A Girl in the River: A Price for Forgiveness



I haven’t seen any of the nominees here, but the win for A Girl in the River: A Price for Forgiveness was unexpected because Body Team 12 has such a relevant subject matter.





This was one of the most pleasant surprises of the year! I expected Shok to win (which would have been so horrible as the movie is awful) or any of the other nominees but Stutterer which in the end won in such a surprising turn of events. The fact that the most sweet and romantic film of the bunch won is great while it is also the best movie here in my opinion.


Bear Story



This was another unexpected choice, but the one that is very interesting to me. World of Tomorrow and Sanjay’s Super Team are both more deserving and both are superb movies, but Bear Story is also such a good movie that is beautifully crafted and animated. This was a very strong year for both feature and short animation and most of the nominees here were great which is why I found this choice to be satisfying and unique.


The Hateful Eight



The Hateful Eight got the award for score despite having poorly incorporated music in it. Carol should have gotten this one as it is the only film of the year that has fantastic and memorable original music.





This was the weakest category of the year with all of the songs being boring and forgettable. Writing’s on the Wall from Spectre won which wasn’t expected, but still wasn’t satisfying.


Mad Max: Fury Road



Mad Max: Fury Road deservedly got this one. The Martian and Star Wars: The Force Awakens would have both been okay choices, but the winner is still deserved.



The same goes here with Mad Max again winning which was again a predictable choice. Mad Max: Fury Road got most of the technical aspects it was nominated and that was a clichéd turn of events.



This is one of the strongest aspects of Mad Max: Fury Road which is why it deserved to win this one for sure.



Mad Max got this one as well and rightfully so as it had some great makeup in it and it relied on that aspect quite a bit.



I found this choice to be unexpected, but in an unfortunately disappointing way as both Carol and The Danish Girl have much better costumes and rely on that aspect much more. Either of those movies would have been an excellent choice, but the Academy made a big mistake.


Mad Max: Fury Road received the award for editing which is a good choice because all of the other nominees aren’t particularly well edited movies with most of them even being not that great.



The Revenant



The Revenant won here which was so disappointing to me. Carol should have won as that movie had some incredible camera movements.


In the end, whereas this film year is incredibly weak and the nominees are quite problematic, the Academy at least shook things up a bit with a couple of unpredictable and interesting choices given. The ceremony itself was bad, but at least some deserved and different winners were announced and that was a great development.

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One Comment

  1. You don’t know crap about movies. Yes, this was a poor year, but to say CAROL and INSIDE OUT were ‘great” is preposterous! I’ve never, EVER seen a “great” animated feature, although 1991’s BEAUTY AND THE BEAST ALMOST made me cry! lol And no, I do NOT see CAROL because i had ZERO interest in lesbian trendiness, but I read a few reviews and even one of the Variety critics picked it as one of the year’s worst!!! LOL

    EX MACHINA should have won for original screenplay (but not special effects) instead of the propaganda pix SPOTLIGHT. HOWEVER, as sci-fi movies and stories go, it really isn’t all that original–AND YOU KNOW IT. I believe they awarded the effects award to EX MACHINA in lieu of the screenplay award just so SPOTLIGHT could take it home. I was also surprised it was even nominated and expected JURASSIC WORLD to have a nom for special visual effects!

    You don’t know the first thing about directing films. I can come up with no other conclusion here. Either that or you hate Mexicans. Also , the film is beautifully photographed. Emmanuel Lubezki is a genius and ranks right up there with Geoff Unsworth, Vilmos Zsigmond, etc.

    Ennio Morricone has been loooooong overdue for an Oscar and not awarding him for THE HATEFUL EIGHT would have been a travesty. The maestro Morricone, even on a bad day, is far better than any of the other nominees. I haven’t heard your gay pick, CAROL, but I would have preferred that to the pompous Williams for STAR WARS 7!!! How was that even eligible as “original”???

    Songs were terrible especially the heavy-handed one from the documentary THE HUNTING GROUND by Lady Caca!!! But HOW was “The Writing on the Wall” unexpected since it DID WIN the Golden Globe Award for Best Song??? Did you forget???

    Overall, it was a bad show, but your picks are even worse!!!

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